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Monamy, Peter
A squadron of English ships beating to windward in a gale
mk175
12x15
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Monamy, Peter
The First-rate ship Royal Sovereign stern quarter view,in a calm
mk175
39x24
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Monamy, Peter
A ship running on to rocks in a violent storm
mk175
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Monamy, Peter
A ship on fire at night
mk175
25x30
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Monamy, Peter
A small English man-o-war proceeding down channel off Deal,the white cliffs in the distance
mk175
8x12
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Monamy, Peter
A two-decker man-o-war,stern quarter view,and a yacht in a quiet estuary
mk175
5x7
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Monamy, Peter
A two-decker man-o-war shortening sail seen from the port bow other craft lightly pencilled in the background
mk175
Pen,pencil and wash
10x14
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Monamy, Peter
This and the fllowing plate are the only two line engraving which were executed by Monamy himself
mk175
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Monamy, Peter
This is the second of Monamy-s personally executed engravings
mk175
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Monamy, Peter
The Taking of the St-Joseph,a Spanish caracca ship
mk175
23 September 1739
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Monamy, Peter
The taking of Porto Bello by Vice-Admiral Vernon on 22 November 1739 with six men-o-war only
mk175
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Monamy, Peter
A storm
mk175
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Monamy, Peter
Calm scene of a yacht offshore with another ship firing a salute
mk175
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Monamy, Peter
The Surrender of the Spanish Fleet to the British at Havana
mk175
13 August 1762
Oil on canvas
54x88
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Monamy, Peter
British fleet advances on
English: The British fleet advances on the Fortress of Louisbourg en route to victory in the 1745 Siege of Louisbourg.
Date 18th century
cyf
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| Monamy, Peter
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English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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